Why we exist

It started in a classroom in Tunis

From Tunis to Tokyo — من تونس إلى طوكيو

Yalla Nihongo began in a weekend Japanese class in Tunis. A room of Tunisian students, a teacher explaining in English, and the same frustration every Saturday: every app we studied with spoke only English.

Their memory tricks were built for English ears. Their explanations assumed a first language none of us had. And not one of them ever talked about the culture that made us fall for Japanese in the first place — the films, the food, the festivals we already loved before we could read a single character.

So we built the thing that was missing: a home for Japanese learning that teaches in English — the way your classroom does — explains in Arabic, so it actually clicks, and lives inside Japanese culture instead of pointing at it from the outside.

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The method

Built on learning science, not habit-forming tricks

Everything below comes from research on how memory actually works — not from what keeps you scrolling. Open “the research behind this” under any block and judge the sources yourself.

  1. Spaced repetition

    Memory fades on a predictable curve. So instead of drilling a character twenty times today and never again, we bring it back just before you would have lost it — then stretch the gap a little further each time.

    In the app: Reviews are scheduled by FSRS, an open-source algorithm, separately for every character and every direction you practise.

    The research behind this

    Cepeda, Pashler, Vul, Wixted & Rohrer (2006), “Distributed Practice in Verbal Recall Tasks: A Review and Quantitative Synthesis”, Psychological Bulletin — a synthesis of decades of experiments finding that spacing study reliably beats massing it.

    Read the paper
  2. Active recall

    Re-reading a kana chart feels productive and does almost nothing. Pulling a character out of your own memory — even when it takes a second and stings a little — is what builds the path back to it.

    In the app: Every quiz, review and game asks you to produce the answer. Nothing here is a passive read-through.

    The research behind this

    Roediger & Karpicke (2006), “Test-Enhanced Learning: Taking Memory Tests Improves Long-Term Retention”, Psychological Science — the classic demonstration of the testing effect.

    Read the paper
  3. Picture mnemonics in your language

    A character sticks once it becomes an image. But the image only works if it is built in a language you actually think in. く is a bird’s open beak — منقار طائر.

    In the app: All 107 hiragana ship with a memory image written in English and in Arabic — written for Arabic speakers from scratch, not translated from the English.

    The research behind this

    The keyword-mnemonic method for learning kana and characters; it is the same principle behind the Japan Foundation’s official “Hiragana Memory Hint” apps.

    Japan Foundation — Memory Hint
  4. Learning with your hands

    Watching a character is not the same as making one. The motion of drawing it leaves a second trace in your memory, and it is often the one that survives.

    In the app: Every lesson animates the stroke order first, then hands you the brush: trace the character yourself, scored gently — we celebrate the attempt, not the millimetres.

    The research behind this

    Longcamp, Zerbato-Poudou & Velay (2005), “The Influence of Writing Practice on Letter Recognition: A Comparison between Handwriting and Typing”, Acta Psychologica — learners trained by hand recognised letters more reliably than learners trained on a keyboard.

    Read the paper
  5. Sound, image and text together

    Your mind files a word once as a sound and once as a picture. Give it both and you have built two roads to the same memory instead of one.

    In the app: Each character arrives as a glyph you see, a sound you hear, a picture you imagine and a real word you can use.

    The research behind this

    Paivio’s dual-coding theory, and Mayer’s cognitive theory of multimedia learning: pairing words with pictures and speech beats words alone.

  6. Mixed practice — harder, and better

    Twenty か in a row feels smooth and fades fast. Shuffling characters and directions feels clumsier in the moment and lasts far longer. Difficulty in the right place is a feature.

    In the app: Quizzes interleave character→sound, sound→character, listening and typing; reviews mix today’s row with everything you have learned before.

    The research behind this

    Robert Bjork’s work on “desirable difficulties” — conditions that slow learning down in the moment while improving what you keep.

    Bjork Learning and Forgetting Lab
  7. Games that bring you back — honestly

    Motivation is a real ingredient, not a dirty word. The line we hold is simple: rewards that celebrate progress, never mechanics engineered to make you feel guilty for living your life.

    In the app: XP, a daily goal ring, and streaks with one automatic free freeze each week when life gets in the way. No guilt screens. No ads, ever.

    The research behind this

    Shortt, Tilak, Kuznetcova, Martens & Akinkuolie (2023), “Gamification in Mobile-Assisted Language Learning: a Systematic Review of Duolingo Literature from Public Release of 2012 to Early 2020”, Computer Assisted Language Learning — eight years of evidence on what game mechanics do, and do not, achieve in language apps.

    Read the review
  8. Culture as the context

    Words stick when you meet them where they live: on a shop sign, in a bowl, at a festival, inside a story. Vocabulary without context is a list. With context it is a memory.

    In the app: Culture cards, real Japanese games and the calendar of festivals sit beside the lessons — not in a bonus section you never open.

    The research behind this

    Krashen on comprehensible input: we acquire language most readily from meaningful messages we understand and care about.

    Krashen’s papers

None of this is magic. It is simply why five focused minutes a day here will outrun an hour of staring at a kana chart.

نقطة قوّتك

The Arabic advantage

Here is something a global app will never tell you: Arabic hands you real advantages in Japanese. Not encouragement — actual mechanics that other learners have to be taught from zero.

What you already have

  • Vowel length already means something to you

    Japanese separates おばさん (aunt) from おばあさん (grandmother) purely by holding a vowel longer. English speakers have to be convinced that length can change a word at all. You have been doing exactly this since childhood — it is المدّ, and your ear is already tuned to it.

  • Doubled consonants live in your mouth already

    The small っ in にっき is a consonant held for a beat. For you that is الشدّة — the same gesture, a sound you produce without thinking. Most beginners spend weeks on this one.

  • The Japanese R is not your problem

    ら り る れ ろ sit somewhere between an L and a tapped R — the sound English speakers struggle with for months. Arabic gives you a tapped R for free.

And where Arabic makes it harder, we say so

  • え and お

    Arabic does not draw the same line between these vowels, so we drill them as a pair — side by side, until the difference is automatic rather than a guess.

  • ぱ and ば

    The /p/ sound is not native to Arabic, and pretending otherwise helps nobody. It gets its own targeted practice instead of being left to sort itself out.

Every learner arrives with a different ear and a different mouth. We built for yours.

Culture

Deeply Japanese, proudly Tunisian

Culture is not decoration here. It is the curriculum.

  • Our games are real Japanese games

    Karuta is the card game Japanese children learn their kana with — a reader calls a sound and hands fly at the cards. We turned it into a 60-second round you can play on the bus, with a link to the story behind it.

  • More of the playground, comingOn the way

    Shiritori, the word-chain game every Japanese schoolyard plays, and fukuwarai, the New Year’s face game — both are on our build list, and both teach kana without ever feeling like study.

  • The Bunko — your reading shelfOn the way

    A shelf that walks you from your first graded reader to your first real manga, one step at a time, so that “I read a page in Japanese” arrives sooner than you expect.

  • A calendar that comes to TunisiaOn the way

    Hanami, Tanabata and tsukimi, marked and celebrated here — under orange blossoms instead of cherry blossoms, which is its own kind of beautiful.

  • A Tunisia ✕ Japan thread you will not find elsewhere

    Our culture cards carry a strand no global app writes: JICA’s cooperation with Tunisia running back to the 1970s, the JLPT sat right here in Tunis at the Institut Bourguiba des Langues Vivantes, and TICAD8 — the Tokyo International Conference on African Development — hosted in Tunis in 2022.

Meet Fenn

Our mascot is a fennec fox wearing a hachimaki — Tunisia’s desert emblem in Japan’s headband. Foxes carry weight in both places: the fennec is ours, and the kitsune is Japan’s messenger and shapeshifter. Fenn is where the two meet, and he is the one cheering when your streak survives a hard week.

Why here

What makes this different

Not a comparison table. Just the five things we decided at the start and have not traded away.

  • Made by Tunisian learners, for Tunisian learners

    We are not a global product with an Arabic setting bolted on. This was built by people sitting in the same class you are sitting in.

  • Teaches in English, explains in Arabic

    English to match the classroom and the textbook your teacher uses. Arabic for the moment a concept has to actually land. French too, because that is how Tunisia thinks.

  • A community, not just an app

    Learning a language alone is the hardest way to do it. We are building toward real meetups, study circles and events — the leaderboard is the smallest part of that, and it is opt-in.

  • Content you can trust

    Our kana data is tested against the canonical Hepburn chart on every single build, cross-checked against a second independent library. If one reading were wrong, the build would fail and the release would stop. Our alphabet literally cannot ship with an error.

  • Free where it matters

    The alphabet and your daily reviews are free, and they stay free. That is not an introductory offer.

Our word

Five commitments

Short enough to hold us to.

  1. The alphabet and core reviews stay free — forever.
  2. No ads inside the learning experience. Ever.
  3. Your data is never sold, to anyone.
  4. When paid features arrive, prices in dinars, through Tunisian payment gateways.
  5. Community events run at cost — we do not profit from bringing learners together.

Credits

Standing on other people’s work

Open data, open source and free official resources made this possible. Where a licence asks for attribution, this is it — and where it does not, gratitude is owed anyway.

  • KanjiVG

    Stroke-order data for every character, © Ulrich Apel, licensed CC BY-SA 3.0.

  • ts-fsrs

    The open-source FSRS scheduler that decides when each card comes back.

  • WanaKana

    Open-source kana ↔ romaji conversion, and the second opinion our seed tests check against.

  • Google Fonts

    Zen Maru Gothic, Karla and Cairo — all under the SIL Open Font License.

  • The Japan Foundation

    Irodori, Marugoto and the Memory Hint apps are free, excellent, and the standard we measure ourselves against.

  • JMdict / EDRDGAs our library grows

    The dictionary project we will build vocabulary decks on, licensed CC BY-SA.

  • TatoebaAs our library grows

    Community example sentences, licensed CC BY, for when reading practice arrives.

The illustrations and mnemonics on this site were made for this project. Japan’s tradition of generous free illustration — Irasutoya above all — is the spirit we work in; wherever we use such work, it is within its own terms.

The full licence inventory

The invitation

This platform gets better with every learner who joins — every event badge earned, every classmate who becomes someone else’s senpai. Your first lesson takes five minutes, and the alphabet is free.

يلّا — let’s go. 行くぞ!

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